who sings broadway baby in follies

The musical has had a number of major revivals, and several of its songs have become standards, including "Broadway Baby", "I'm Still Here", "Too Many Mornings", "Could I Leave You? Resplendent in top hat and tails, Ben begins to offer his devil-may-care philosophy ("Live, Laugh, Love"), but stumbles and anxiously calls to the conductor for the lyrics, as he frantically tries to keep going. Sally tells Ben how her days have been spent with Buddy, trying to convince him (and herself) ("In Buddy's Eyes"). serenades those Beautiful Girls, the now-elderly ing6nues It is 1971, and the iconic Weismann Theater, now a crumbling shell of its former glory, is about to be demolished to provide precious New York City parking space. that she's Losing My Mind. In 2001, a physically scaled-back but starry-cast production was mounted by the Roundabout Theatre Company. WAITERS, WAITRESSES, PHOTOGRAPHERS, SHOWGIRLS, etc. YOUNG STELLA - The singer and dancer as she was in 1940. and a brief glimpse of those dreams. '"[46] The Times critic Irving Wardle stated "It is not much of a story, and whatever possibilities it may have had in theory are scuppered by James Goldman's book a blend of lifeless small-talk, bitching and dreadful gags". Ms. PETERS: Wow. James Goldman As the guests reminisce, the stories of Ben, Phyllis, Buddy, and Sally unfold. )"[36][37], The musical was produced at The Muny, St. Louis, Missouri in July 1972 and then transferred to the Shubert Theatre, Century City, California, running from July 22, 1972, through October 1, 1972. PS Classics co-founder Tommy Krasker stated "We've never had the kind of reaction that we've had for Follies. and matronly starlets, veterans of a more innocent age of entertainment, Pounding Forty-Second Street To be in a show. declares I'm Still Here. Leading Lady / Broadway Baby / Another Openin' Another Show: Jill Perryman: 1975: Medley: Broadway Baby: Bernadette Peters: 1981: Broadway Baby: Dorothy Loudon: 1986: Broadway Baby: Daisy Eagan: February 23, 1993: Julia McKenzie returned to the production for the final four performances. The clarion-voiced Philip Quast has three Olivier Awards to his name and is bound to be considered for a fourth in due course for his soul-stirring performance as Ben Stone in the National Theatre . DIMITRI WEISMANN - An impresario who flourished between the wars and his mind, all the past evening's traumatic experiences are regurgitated It's quite an interesting beautiful show with some rip-roaring numbers. Barnes also called the story shallow and Sondheim's words a joy "even when his music sends shivers of indifference up your spine. Merrily We Roll Along (2012 New York Cast Recording) Stephen Sondheim. Directed by Michael Scott, the cast included Lorna Luft, Millicent Martin, Mary Millar, Dave Willetts, Trevor Jones Bryan Smyth, Alex Sharpe, Christine Scarry, Aidan Conway and Enda Markey. Produced at the Winter Garden, New York, 4 April 1971 with Alexis A recording of the National Theatre production was released on January 18, 2019.[104]. He creates what's necessary for the piece. Gain full access to show guides, character breakdowns, auditions, monologues and more! Bennett also reprised her Olivier-nominated performance. [93][94] Other new cast members included Carol Neblett as Heidi, Sammy Williams as Theodore and Obba Babatunde as Max. no children but everything else. "Great American Musicals in Concert" series featured Follies as its 40th production for six performances in February 2007 in a sold out semi-staged concert. Girl and he has, sort of. The youthful ghosts of the four leads are winning portrayed by Erin Dilly, Richard Roland, Joey Sorge and Lauren Ward. Join the StageAgent community Buddy and Ben, the theatre seems haunted by their younger selves, Ms. PETERS: (as Sally Durant Plummer) (Singing) If I stick it long enough, I can get to strut my stuff. I hadn't read the script until about a year ago. 'A truly fantastic evening,' The Financial Times concluded, while the London Daily News stated 'The musical is inspired,' and The Times described the evening as 'a wonderful idea for a show which has failed to grow into a story. The Company of our. Former MGM and onetime Broadway star Betty Garrett, best known to younger audiences for her television work, played Hattie. Linden, Duke, Carr, Bosley Do Sondheim in L.A. June 15-23", "Evita's Bob Gunton Replaces Hal Linden as Ben in L.A. 'Follies' June 15-23", "McKechnie, Evans, Peterson in Follies in Concert in MI", "Broadway-Bound 'Follies' Plays Final Performance at Kennedy Center June 19", "Casting Complete for Kennedy Center 'Follies'; "Young" Counterparts Announced", "Kennedy Centers Follies is Broadway Bound", "Hey, L.A., We're Coming Your Way: 'Follies' Ends Broadway Run Jan. 22", "The Right Girls: Kennedy Center Follies, With Bernadette Peters, Jan Maxwell, Elaine Paige, Begins Broadway Previews", "Two-Disc 'Follies' Revival Recording Is Big Seller", "Theater Review. Ben replies by saying that he wants a divorce, and Phyllis assumes the request is due to his love for Sally. between Buddy and his pal, Ben. EMILY WHITMAN - The female half of a cheerful song and dance team. [85] The four principal performers reprised their roles, as well as Paige as Carlotta. Ms. PETERS: When I did "Sunday in the Park with George." Their ghostly younger selves appear, watching them go. (Soundbite of song, "The God Why-Don't-You-Love-Me Blues"). A rich, new production of Follies has opened at the Kennedy Center in Washington, D.C., with the original orchestrations. Shakespeare in the Woods 2023 Season FIRST NIGHT ENCORE CD3 - London Cast. "[114] On the other hand, Martin Gottfried wrote: "Follies is truly awesome and, if it is not consistently good, it is always great. "Who's That Woman?" - Stella and Company. For Sally and The rest of the album consists of material from the 1920s, '30s, and '40s, written by the . In 1971, on the soon-to-be-demolished stage of the Weismann Theatre, a reunion is being held to honor the Weismann's Follies shows past and the beautiful chorus girls who performed there every year between the two world wars. She yearns for him to hold her, but young Sally slips between them and the three move together ("Too Many Mornings"). Not only has it already outsold every other album at our website, but the steady stream of emails from customers has been amazing. "[20], Major changes were made for the original production in London, which attempted to establish a lighter tone and favored a happier ending than the original Broadway production. Carlotta amuses a throng of admirers with a tale of how her dramatic solo was cut from the Follies because the audience found it humorous, transforming it as she sings it into an anthem-like toast to her own hard-won survival ("I'm Still Here"). indestructibly, a Broadway Baby. [41], A staged concert at Avery Fisher Hall, Lincoln Center, was performed on September 6 and 7, 1985. The coffee cup, I think about you. out his wife's name and we return sharply to reality. "[21], According to Sondheim, producer Cameron Mackintosh asked for changes for the 1987 London production. YOUNG HEIDI - The celebrated soprano in her heyday. Not to say the show's not fun, the show has got lots of fun moments and it's haunting and it's gorgeous, because they've come back to this old theater and you notice ghostly, walking really slow, gorgeous showgirls. Phyllis Rogers Stone, a stylish and elegant woman,[4] arrives with her husband Ben, a renowned philanthropist and politician. a Follies girl. Several of the former showgirls perform their old numbers, often accompanied by the ghosts of their younger selves. really changed in their lives. The cast starred Julia McKenzie (Sally), Donna McKechnie (Phyllis), Denis Quilley (Ben) and Ron Moody (Buddy). Variety singer and performer Joan Savage sang "Broadway Baby". of Ah, Paree! That new jukebox musical is the new Broadway smash & Juliet. The younger Ben and Buddy softly call to their "girls upstairs", and the Follies end. Join StageAgent today and unlock amazing theatre resources and opportunities. I like to do that. Emily and Theodore Whitman, ex-vaudevillians in their seventies, perform an old routine ("The Rain on the Roof"). Note: This is the song list from the original Broadway production in 1971. Oh, you do? I saw no reason not to try new things, knowing we could always revert to the original (which we eventually did). inspired the operetta kings to produce their lushest Ms. PETERS: And then I got the call when I was I was performing at the Fairmont Hotel in San Francisco, James Lapine called me to say he wrote this new show with Stephen Sondheim and it's to play an artist model. [32] Rich later wrote that audiences at the original production were baffled and restless. Broadway Baby The Road You Didn't Take Bolero d'Amour . Do again. their dressing rooms - but for Ben these memories awake old regrets ", "2017 Results | Critics' Circle Theatre Awards", "Standard Theatre Awards 2017 the Shortlist", "These are the winners of the 2017 Evening Standard Theatre Awards", Grammy Award for Best Musical Theater Album, How to Succeed in Business Without Really Trying, Sweeney Todd: The Demon Barber of Fleet Street, Cats: Complete Original Broadway Cast Recording, Les Misrables: The Complete Symphonic Recording, Smokey Joe's Cafe: The Songs of Leiber and Stoller, Laurence Olivier Award for Best New Musical, A Funny Thing Happened on the Way to the Forum, Best Worst Thing That Ever Could Have Happened, https://en.wikipedia.org/w/index.php?title=Follies&oldid=1151569839, Articles with dead external links from August 2021, All articles with specifically marked weasel-worded phrases, Articles with specifically marked weasel-worded phrases from May 2022, Articles with MusicBrainz release group identifiers, Articles with MusicBrainz work identifiers, Creative Commons Attribution-ShareAlike License 3.0, The orchestra, Nicholas Skilbeck and Nigel Lilley, 1971 - New York Drama Critics' Award for Best Musical, "Waiting for the Girls Upstairs" Ben, Sally, Phyllis and Buddy, Young Ben, Young Sally, Young Phyllis and Young Buddy, "Montage" ("Rain on the Roof"/"Ah, Paris! Osborne, Robert. The Who's fifth studio effort is an exhilarating rock 'n' roll masterpiece stacked with killer songs that made it a staple of '70s rock radio. 'Follies'. SALLY DURANT PLUMMER - Buddy's well-to-do wife, still gushy and girlish Kirkeby, Marc (released April 1971). Whitman recall their sweetly naive duct, Rain on the Roof: Suddenly, at the peak of madness and confusion, the couples are engulfed by their follies, which transform the rundown theater into a fantastical "Loveland", an extravaganza even more grand and opulent than the gaudiest Weismann confection: "the place where lovers are always young and beautiful, and everyone lives only for love". Mr. Weismann's exquisite taste in feminine pulchritude. Walking off my tired feet. It also highlights that the Follies were such an incredible mix of high art and low art. She made her Broadway debut in 1967 in "How Now, Dow Jones" and went on to play roles in "Promises, Promises" and "Applause." And usually SIMON: I mean a lot of big stars like to get out after three or four months, right? On her debut solo album, Broadway veteran Dorothy Loudon performs a set of theater songs she was too young to do on stage. When they sing, in voices layered with ambivalence and anger and longing, it is clear that it is their past selves whom they are serenading. To extend the show, it would have been necessary to negotiate new contracts with the entire company because of the Belasco's limited seating, it wasn't deemed financially feasible to do so. to get him down, as he scuttles frantically between mistress and [23] The 1987 West End, 2005 Barrington Stage Company,[24] the 2001 Broadway revival[25] and Kennedy Center 2011 productions were performed in two acts. The evening follows a reunion of the Weismann Girls who performed during the interwar period. Terry Teachout of the Wall Street Journal noted that "One of the signal achievements of this Follies is that it succeeds in untangling each and every strand of the show's knotty plot Mr. Schaeffer is clearly unafraid of the darkness of Follies, so much so that the first act is bitter enough to sting. Buddy and Phyllis join their spouses and the foursome reminisces about the old days of their courtship and the theater, their memories vividly coming to life in the apparitions of their young counterparts ("Waiting For The Girls Upstairs"). in a revised version, 21 July 1987 with Diana Rigg, Daniel Massey, Sign up today to unlock amazing theatre resources and opportunities. ), Sondheim Unplugged features some of Broadway and cabarets most dynamic voices accompanied by piano only.Kelli Rabke is best known as Eponine in Les Miserables and the original Narrator in Joseph and the Technicolor Dream Coat.For more videos from 54 Below, Broadway's Supper Club, subscribe here https://54Below.org/YouTubeView upcoming shows and purchase tickets on our website https://54Below.org/calendarFollow us on social media!Facebook https://54Below.org/FacebookInstagram https://54Below.org/InstagramTwitter https://54Below.org/TwitterTikTok https://54Below.org/TikTok The original Broadway production, directed by Harold Prince and Michael Bennett, with choreography by Bennett, opened April 4, 1971. It is 1970 and on the stage of the Weismann Theatre, ; and Hattie proclaims again that she's, Rounding out the ensemble is Lawrence Alexander, Brandon Bieber, John Carroll, Sara Edwards, Leslie Flesner, Jenifer Foote, Leah Horowitz, Suzanne Hylenski, Danielle Jordan, Joseph Kolinski, Amanda. "[119], Brantley, reviewing the 2007 Encores! the surviving players of his lavish pre-war Follies, from the silver The authoritative record of NPRs programming is the audio record. Yesterday, though, tells another story: young Sally and young The budget was reported to be $7.3 million. According to an article in The Hollywood Reporter, "almost every performance of the show played to a full house, more often than not to standing-room-only. Yesterday marked the birthdate of the actress/singer/dancer Ethel Shutta (pronounced Shuh-tay), born in 1896, immortalized as the person who introduced the Stephen Sondheim favorite "Broadway. Angry and hurt, Phyllis considers whether to grant his request ("Could I Leave You?"). "[66], A production was mounted at London's Royal Festival Hall in a limited engagement. [124] The 2017 London revival cast was recorded after the production closed in January 2018, and was released in early 2019. He thinks she's very neurotic, and she is very neurotic, so he said to me 'Congratulations. A Survey of Follies Recordings, Part One Original Cast and '80s Concert In preparation for the cast album of the new Broadway production of Follies, here's part one of an overview of the four . She had nodes that she had to have removed. It starred Toni Lamond (Sally),[60] Jill Perryman(Carlotta), Judi Connelli (Phyllis), Terence Donovan (Ben), Nancye Hayes (Hattie), Glenn Butcher (Buddy), Ron Haddrick (Dimitri), Susan Johnston (Heidi),[61] and Leonie Page, Maree Johnson, Mitchell Butel, Maureen Howard. It is 1971, and the iconic Weismann Theater, now a crumbling shell of its former glory, is about to be demolished to provide precious New York City parking space. A celebrated New York event since 2010 (Its a Hit! to read expert guidance for Broadway Baby and unlock other amazing theatre resources! YOUNG HEIDI - The celebrated soprano in her heyday. Playing Hattie who sings "Broadway Baby" is Patti Davis Suarez. out the inadequacies of their marriages. Stephen Sondheim attended one of the performances. Variety gave a very favorable review to the "lavish and entirely satisfying production", saying that Schaeffer directs "in methodical fashion, building progressively to a crescendo exactly as Sondheim does with so many of his stirring melodies. [18], Goldman continued to revise the book of the musical right up to his death, which occurred shortly before the 1998 Paper Mill Playhouse production. Sondheim "did not think the London script was as good as the original." Dimitri Weismann's reunion; they'll have to find out whether anything's And then as a teenager, I started singing soprano and I went, well, I can sing soprano. 66. (Chapin, p.300) In his The New York Times review of the original Broadway production, Clive Barnes wrote: "it is stylish, innovative, it has some of the best lyrics I have ever encountered, and above all it is a serious attempt to deal with the musical form." I thought I wasn't a Sondheim girl. [128], In November 2019, it was announced that Dominic Cooke will adapt the screenplay as well as direct, following the successful 2017 National Theatre revival in London, which returned in 2019 due to popular demand.[129]. For Ben and Buddy, too, Seeing Sally again, Ben realises The production was directed by Arthur Allan Seidelman, set design by Ray Klausen, lighting design by Tom Ruzika, costumes by Randy Gardell, sound design by Philip G. Allen, choreography by Kay Cole, musical director Gerald Sternbach.[71]. Phyllis interrupts this tender moment and has a biting encounter with Sally. [39], A full production ran at the Forum Theatre, Wythenshawe, England, from April 30, 1985, directed by Howard Lloyd-Lewis, design by Chris Kinman, costumes by Charles Cusick-Smith, lighting by Tim Wratten, musical direction by Simon Lowe, and choreographed by Paul Kerryson. This show features the wistful torch song Losing My Mind, the wry showstopper Im Still Here, and Broadway Baby, that determined ode to making it in show business. As the ghosts of the young showgirls slowly drift through the theater, a majordomo enters with his entourage of waiters and waitresses. with Live, Love, Laugh, singing of how clever and adept is a 1917 American silent comedy film directed by Clarence G. Badger and starring Gloria Swanson. "[9] Bernadette Peters quoted Sondheim on the character of "Sally": "He said early on that [Sally] is off-balance, to put it mildly. STELLA DEEMS - Another veteran of the final Follies. '"[10] Martin Gottfried wrote: "The concept behind Follies is theatre nostalgia, representing the rose-colored glasses through which we face the fact of age the show is conceived in ghostliness. These plans also did not work out,[3] and finally Harold Prince, who had worked previously with Sondheim, became the producer and director. we have to face reality: all we can hope for is One More Kiss - Ms. PETERS: (as Sally Durant Plummer) (Singing) The sun comes up, I think about you. Whose Baby? You know, I'll do it for, like, at least a year and then beyond that. Ben confides to Sally that his life is empty. The Complete Follies Collection puiblished by Hal Leonard publishers>. Sondheim's songs aren't parodies or deconstructions; they are evocations that recognize the power of a love song. Marge Champion and Donald Saddler are endearing as the old hoofers. SIMON: And you were talking like this or something? is by now wondering Could I Leave You and live without Ben, But : Directed by Rebecca Frayn. The production was directed by Dominic Cooke, choreographed by Bill Deamer and starred Peter Forbes as Buddy, Imelda Staunton as Sally, Janie Dee as Phyllis, Philip Quast as Ben[100][101] and Tracie Bennett as Carlotta. He noted, though, that "I'm sorry the cast was reduced from 52 to 38, the orchestra from 26 players to 14 To appreciate the revival, you must buy into James Goldman's book, which is peddling a panoramically bleak take on marriage." [52] The 1998 Paper Mill Playhouse production (Millburn, New Jersey) was directed by Robert Johanson with choreography by Jerry Mitchell and starred Donna McKechnie (Sally), Dee Hoty (Phyllis), Laurence Guittard (Ben), Tony Roberts (Buddy), Kaye Ballard (Hattie ), Eddie Bracken (Weismann), and Ann Miller (Carlotta). Elsewhere, Willy Wheeler (portly, in his sixties) cartwheels for a photographer. "), as they are mirrored by their younger selves. Ben drunkenly propositions Carlotta, with whom he once had a fling, but she has a young lover and coolly turns him down. At first too weary to stand, and wearing clunky spectacles, she is incongruously dowdy - comic and poignant. in. That paradox is crystallized in " One More Kiss ," warbled by an ancient Viennese soprano while . Tysons, VA, Accessibility Statement Terms Privacy |StageAgent 2020. Phyllis, having successfully seduced Kevin, one of the waiters, [47] Clines further commented: "In part, the show is a tribute to musical stage history, in which the 57-year-old Mr Sondheim is steeped, for he first learned song writing at the knee of Oscar Hammerstein II and became the acknowledged master songwriter who bridged past musical stage romance into the modern musical era of irony and neurosis. Ms. PETERS: As a little girl, yeah. He is a salesman, in his early 50s, appealing and lively,[4] whose smiles cover inner disappointment. [19] However, the August 23, 2011 Broadway preview performance was performed without an intermission. For Buddy, life is all about findingThe Right Rosemary Clooney says her present show at Rainbow & Stars will be her last. The concert starred Barbara Cook (Sally), George Hearn (Ben), Mandy Patinkin (Buddy), and Lee Remick (Phyllis), and featured Carol Burnett (Carlotta), Betty Comden (Emily), Adolph Green (Theodore), Liliane Montevecchi (Solange LaFitte), Elaine Stritch (Hattie Walker), Phyllis Newman (Stella Deems), Jim Walton (Young Buddy), Howard McGillin (Young Ben), Liz Callaway (Young Sally), Daisy Prince (Young Phyllis), Andre Gregory (Dmitri), Arthur Rubin (Roscoe), and Licia Albanese (Heidi Schiller). "[123] The recording of the 2011 revival was nominated for a Grammy Award in the Musical Theater Album category. Follies is a musical with music and lyrics by Stephen Sondheim and a book by James Goldman . to read expert guidance for Broadway Baby and unlock other amazing theatre resources! SIMON: Bernadette Peters stars in "Follies" at the Kennedy Center in Washington, D.C. through June 19th. [125][126], In January 2015, it was reported that Rob Marshall signed on to direct, with Meryl Streep rumored to star. SIMON: Stephen Sondheim wrote "Broadway Baby" in the early 1970s for "Follies," the award-winning musical he created with James Goldman. In the foreword to "Everything Was Possible", Frank Rich wrote: "From the start, critics have been divided about Follies, passionately pro or con but rarely on the fence Is it really a great musical, or merely the greatest of all cult musicals?" Bobby Vernon; Gloria Swanson; Jay Dwiggins; Martha Trick; Robert Milliken; Fritz Schade; Juanita Hansen; Sylvia Ashton; Helen Bray; Florence Clark; Phyllis Haver; William Irving; Edgar Kennedy; Myrtle Lind; The exceptions are the title song, from Follies, which she sang memorably at the 1984 Tony Awards show, and "Bobo's" from The Act. Copyright 2011 NPR. The musical was nominated for 11 Tony Awards and won seven. "[15] Some of the Follies numbers imitate the style of particular composers of the early 20th century: "Losing My Mind" is in the style of a George Gershwin ballad "The Man I Love". However, it is clear that Sally is still in love with Ben even though their affair ended badly when Ben decided to marry Phyllis. The cast recording of the 2011 Broadway revival, by PS Classics, was released officially on November 29, 2011, and was in pre-sale before the store release. (Soundbite of song, "A Little Night Music"). Paul Kerryson directed, and the cast starred David Durham as Ben, Kathryn Evans as Sally, Louise Gold as Phyllis, Julia Goss as Heidi and Henry Goodman as Buddy. but cold Jessie could only combine then I could tell you someone The majority of the Broadway cast reprised their roles, with the exception of Bernadette Peters, who had prior concert commitments and was replaced by Victoria Clark in the role of Sally, a role she has previously played in New York. A few years after the fling that led to his unknown fatherhood, the man has settled into a new life, but the establishing of his paternity makes him determined to . Darkness Around the Spotlight", " 'Good Times and Bum Times': Broadway Revival of 'Follies' Exceeds Expectations, But Doesn't Recoup", "Victoria Clark Will Be Sally in L.A. Follies with Elaine Paige, Jan Maxwell, Danny Burstein, Ron Raines", "Review: 'Follies' is a source of heartache and razzmatazz", "Follies in Concert review stars align in Melbourne for rare and exhilarating night of Sondheim", "Follies in Concert review [Melbourne 2016]", "Imelda Staunton to Star in London Follies", "National Theatre Announces Additional Casting for Angels in America and Follies", "Full Casting Announced for Follies at National Theatre", "National Theatre Live to Broadcast Follies this November", "Follies cast recording released on Spotify and iTunes", "Follies in Concert - Melbourne Recital Centre", "Show Business: The Once and Future Follies", "Stage: Concert Version of 'Follies' Is a Reunion", "That Old Feeling III: The Ghosts of Broadway", "Review:'Follies':Oh, Those Sharp Stones in a Dance Down Memory Lane", "Grammy Nominees for Musical Album Include 'Nice Work', 'Once', 'Follies', 'Newsies' and 'Porgy and Bess'; Shaiman & Wittman, Too", "Follies to return to National Theatre and release cast recording", "Is a Follies Film With Meryl Streep in the Works? "MOT Box Office Opens Sept. 11 For Fall Season". Phyllis begins wondering at her younger self, who worked so hard to become the socialite that Ben needed. Follies Stage production February 20, 1971 Comments Sung by character "Hattie Walker" . The reunion, if it reunifies one couple, destroys another. Buddy leaves the shadows furious, and fantasizes about the girl he should have married, Margie, who loves him and makes him feel like "a somebody", but bitterly concludes he does not love her back ("The Right Girl"). Against this volatile atmosphere of drunken remembrances, a decades-old love quadrangle receives a revival when Follies dancers Sally and Phyllis, and their respective husbands, Buddy and Ben -- who used to hang around backstage, waiting for their girls -- meet again. Each of the four is shaken at the realization of how life has changed them. 1971, the weismann theatre, new york city, College/University, Large Cast, Mature Audiences, Mostly Female Cast, Professional Theatre, Regional Theatre, Star Vehicle Female. She accuses him of having affairs while he is on the road, and he admits he has a steady girlfriend, Margie, in another town, but always returns home. A celebrity panel meet the child of a well-known person, and guess who their parents are. The AP quoted Michael Coveney of the Financial Times, who wrote: "Follies is a great deal more than a camp love-in for old burlesque buffs and Sondheim aficionados. "[46], This production was also recorded on two CDs and was the first full recording. It could be. Follies By Rick Pender Follies original poster Follies, Sondheim's seventh Broadway production, began as The Girls Upstairs, a collaboration with bookwriter James Goldman about some young women in a Ziegfeld-like extravaganza and the stage-boy Johnnies who courted them. OTHER GUESTS and PERFORMERS, STAGE MANAGER, [49], Michigan Opera Theatre (MOT) was the first major American opera company to present Follies as part of their main stage repertoire, running from October 21, 1988, through November 6. This production has taken on the glint of crystalline sharpness. SIMON: When did you first realize that you could sing? As more guests arrive, Sally's husband, Buddy, enters. And even when I saw it, I think it was about 2000 there was a revival, maybe 2001. He feigns a lack of interest; there is an underlying tension in their relationship. Solange proves she is still fashionable at what she claims is 66 ("Ah, Paris! Polly Bergen stops everything cold with "I'm Still Here", bringing a rare degree of introspection to a song that is too often a mere belt-fest [T]he emotional highpoint comes when Joan Roberts sings 'One More Kiss'. Ted Chapin[who?] With Andrew Lincoln, Sophie Okonedo, Esther Coles, Darren Tighe. [127] Tony Award-winning playwright and Academy Award-nominated screenwriter John Logan has expressed interest in writing the adaptation. [42], The musical played in the West End at the Shaftesbury Theatre on July 21, 1987, and closed on February 4, 1989, after 644 performances. It was directed by Prince and starred Dorothy Collins (Sally; replaced by Janet Blair), Alexis Smith (Phyllis), John McMartin (Ben; replaced by Edward Winter), Gene Nelson (Buddy), and Yvonne De Carlo (Carlotta) reprising their original roles.

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